Literally Stories published my fantasy story, “Black Bear on White Paper.” The story takes place in a realm I’ve envisioned for some time: a forest world founded on an endless, underground library. Unexplained, and mostly unexplored, the library is attended by a small cabal of librarian-monks. The concept combines Borges’s “The Library of Babel,” Tolkien’s Mines of Moria, and the medieval monastery.
Literally Stories was started in 2014 by a wiggle of writers, including a bloke named Adam West (no, not that one). The magazine not only provides a platform for prose and poetry, but encourages reader feedback and author interaction. There’s even a comments section labeled “Your Thoughts” for criticism of the magazine itself. The hope is to give “each story its moment in the sun.” Naturally, this might provide a healthy tan; for others, a nasty burn.
A mischievous Rune Bear by Yrene Castelli.
Check out her Facebook Page.
I’ve been photoshopping advertisements for Rune Bear‘s weekly posts. In each image I tried to capture some element of the companion piece while not making a picture that sucks terribly. Some have been not-so-great, as to be expected, but these three below were somewhat successful.
The first is a rune bear mounted on the wall for Amanda Bender’s “The Hero and the Hunter.” Her piece is part one of an emerging storyline (we’ll be posting Part II at a later date). Basically, a failing zoo has to turn to a big game hunter who pursues exotic beasts. But since Rune Bear Weekly features pieces that are under three hundred words, I’ll have to be careful summarizing anything, since the synopsis might end up longer than the story.
Look at those pain-sullied eyes. Look at ’em.
The second image is of a bear spying on himself in a sword blade. This was created for T. J. Locustwood’s “The Recruitment of Steel.” The piece is a cantos that pairs with his upcoming book, Alexander Croft and the Corvian Wrath.
Finally, for Joe Amaral’s “We are Seeds,” about a village destroyed and its sole vengeful survivor (a little girl with druidic magic), I shopped a rune bear casting a leafy magical curse.
The Tishman Review nominated my story “And We Who Never Died” for Best Small Fictions.
BSF is an anthology that honors the “best short hybrid fiction published in a calendar year.” The Harvard Review wrote that the pieces in BSF are like a “splash of ice water in the face,” a wake-up call to “your life… unspooling.”
When I heard I’d been nominated, I was like cool beans and moved on to lesson planning and grading.
Then Coffin Bell posted this:
And I discovered that MY WIFE HAS BEEN NOMINATED.
As of this day, she and I are no longer friends. No longer best friends. No longer lovers.
But bitter enemies locked in literary combat.
THIS. MEANS. WAR.
Kasma Magazine published my science-fiction short, “Two Wings, Flightless,” about a man who has to destroy a hovership that’s been solar-beaming the countryside. Kasma is a speculative magazine that publishes a story every first day of the month. Each piece is accompanied by a beautiful bit of art by Jose Baetas. You can see his treatment for my story above.
In “Two Wings,” I wanted to replicate the hero goes to a cave to slay a dragon story in a post-apocalyptic setting, switching the fire-breather for a flying war machine. The result was really fun to write, especially since the narrator was so dour and grit-happy. I’m already planning a sequel.
My short story “House Divided,” about a divorced couple living in a house split between two dimensions, was included in this year’s America’s Emerging Writers, a nationwide anthology produced by Z Publishing. Out of the two thousand stories featured in their statewide editions, “House Divided” was one of 127 pieces selected.