Today in The Denver Post
Here’s a link to its digital counterpart.
Here’s a link to its digital counterpart.
Another example of how COVID-19 is affecting everyone these days. A multitude of magazines have stalled, and a few are folding up due to economic hardships.
This includes an anthology which was about to publish one of my poems. The editors sent me this email:
We are unfortunately now forced to make the decision to not finalize the Impact anthology as we will most likely no longer have the financial means to carry the second URL (Unincorporated.site) for our magazine.
We are honestly barely holding on to our primary literary magazine and may have to fold indefinitely.
The future is unknown as Las Vegas has taken a dramatic hit financially because of the pandemic. Many of our volunteer local readers and editors are no longer employed or only partially employed.
We appreciate all the work that was sent and enjoyed reading many of them. It was a laborious effort and we were already having to make hard decisions regarding which pieces to include.
There were so many wonderful pieces, yours included. This was the hardest decision we had to make but didn’t want to leave our contributors in limbo any longer than we already have.
Helen: A Literary Magazine is (and hopefully will be again) a biannual magazine that celebrates literary works and fine art reflecting ‘the spirit of Southern Nevada.’ (Although I’m not from the area, the editors found my poem reflected an important conflict in their community.) The magazine takes its name from the “First Lady of Las Vegas,” Helen J. Stewart, a pioneer who helped forge the valley in the 1880s. They have an internal division called Unincorporated which specializes in anthologies and collections, including Impact. They also run Breedlove, a literary arts blog. As of April 2020, Helen is on indefinite hiatus.
Impact was going to be an anthology focused on Social Justice, ranging from personal experiences to works of fiction. The hope was to expand readers’ perspective on what social justice means and its effects and after effects in our society. Hopefully, those many contributors and their pieces will find other opportunities to publish, to shed a menagerie of lights on our conflicts and corruptions, those things we must repair before we pass the world to our children.
Electric Spec posted my thoughts on my upcoming short story, “Rona of the Els,” which will publish in their May 2020 issue. I tried my best to keep the explanation brief and spoiler-free. I was 99% successful.
Here’s the blurb:
Electric Spec is a not-for-profit speculative magazine that publishes four times per year. “Rona of the Els” will be available on May 31st.
While a graduate student at Houston Baptist University, I created Writ in Water, an annual literary magazine focused on Literature & Life (unlike Rune Bear and the Weird & Wonderful). The stipulation was that all contributors had to be students or alumni of HBU. No outsiders and no professors. To sustain the magazine’s leadership, the editor-in-chief of Writ in Water would be the Writing Coordinator of the University’s Academic Success Center.
Although I’ve long left the magazine, moving north to teach in Denver, Writ in Water has flourished under a series of amazing editors, most currently Hannah Gentry. A few months back, Gentry contacted me about my process for gathering submissions and publication. She also invited me to send a story, so I thought, eh, sure, whatever, I’ll submit something. (Corruption at its finest, right?)
Today I’m excited to say “Blue Winter High” has been published in the 2020 issue of Writ in Water.
“Blue Winter High” takes place in a near-future where public education is mostly automated. A human teacher struggles to be as efficient as the robots around her. I was hoping to create the sense that human vitality might be threatened by the inhuman mechanical processes we keep implementing into our daily lives.
The Were-Traveler published my speculative mystery fiction, “Carnaval de la Coccinelle.” For a long time I’ve wanted to write a locked-box style of detective fiction, specifically a story where the central mystery revolves around a cipher.
Meanwhile, the backdrop is the same universe as “Water Bees,” an alternate history where the world is populated by men and a menagerie of bugs. There are no squirrels, whales, or seagulls, and man is theorized to be some evolved form of worm.
“Carnaval” also follows the same protagonist as “Water Bees,” the gruff police inspector Henri Moreau, and the setting is yet again Arles, France, at the turn-of-the-19th-century.
The Were-Traveler is a fiction eZine that publishes speculative fiction in themed anthologies (my piece was published in a whacky carnival-&-circus anthology called SuperFreak: Freakpunk #2). The magazine is run by the delightful author, publisher, and editor, Maria (M.X. or Reo) Kelly.
For a long time I’ve envisioned Rune Bear Magazine divided between Weekly and Quarterly. We would publish weekly stories under 300 words, but we would also have a seasonal writing contest.
Unfortunately, the Quarterly page on our website has looked like this for two years:
The guy we put in charge of Quarterly turned out to be a dud, so we let him go and I took over the contest. Instead of long-form writing, I decided to pull back to the flashiest flash fiction — the Drabble. Stories of 100 words exactly.
With $10 rewarded to the winner.
My editors came up with a list of prompts, democratically selected one, we hired an artist, and boom—I’m proud to announce that Rune Bear Quarterly is open for submissions until April 30, 2020. May will be a reading & selection period with the winner announced on May 31st.
The Spring 2020 prompt is “Weird Wild West” and the inspirational image (by no means the only interpretation of the prompt) is a dragon stealing a cowboy’s horse. This piece was made by the very talented Hari Nezumi, although in the future we will be relying on in-house artist Robin Stranahan.