Scifi

Fiction — “Garden War”

Between two trees exploded into boulder stumps, Elemmírë raised a fist. Behind him, ten figures, barely visible above the gloom and bloom, dropped to their knees and scanned the street. They relied solely on the ghostly green readouts from their face masks, as their actual sights would have been distracted by the feral tapestry of flowers, the result not only of civilization gone wild but the biodegradable ammunition being used in the War. Inside each bullet was a gene seed which, when struck by fire, would sprout by day’s end into a single flower. It’d been the only agreed-upon convention between the elf factions—a way of turning war zones into gardens, of reducing the carbon imprint from endless shelling.

For a heartbeat, Elemmírë’s Sight picked up a cracked skull, lilac seeping out like purple brain. Then he was Focused on the lights of armored cars bouncing across perforated rock-wake. A set of hand signals and the Ten disappeared, their gaudy red-and-gold camouflage blending with laceleaf and marigold. What Elemmírë’s scouts were about to do was an ugly thing; an undignified ambush of a supply convoy. But in another way, a way beyond the soulless tactical hell of battle, they’d be returning motorized death-cannons and plated mercs wearing the ears of enemies around their necks to the serenity of nature.

Published at Rune Bear Weekly on September 27, 2018. 

Scifi

Fiction — “The Immortality Cube”

[The follow is a drabble, or 100-word short story.]

There’s always that one friend who sticks to the group like a discount sticker on a used book, and who is tolerated by necessity because any removal might leave behind a sticky residue. Among Skye, Keith, and Kim, this was Lames, whose Mom had long admitted to being high when she tried to write “James” on the birth certificate. When Skye, Keith, and Kim came upon the Cube, without hesitation they excluded Lames from the Pact. And they didn’t care years later when, at Lames’s 89th birthday, he glared bitterly at their youthful bodies. They could wait a little longer.

Scifi

Fiction — “Ren Rats”

Today, we crossed a field of grass bordered by the black-and-yellow bark of Ponderosa pine, and we stopped and took it in. The sun-through-the-clouds coated us in a bluefire, and when I looked at my friends, at Jo and his plate-mail, at Lobard and his mad beard, and they at me, in my deep cloak with a celtic braid, holding a longbow, we had to laugh. It seemed exactly like we were a fellowship for some quest, maybe to steal from a gluttonous dragon, or to stop a cult from resurrecting their god, not a couple of Ren Rats surveying the clump of trees behind a parking lot.

“I don’t see any signs,” said Lobard, plucking some fern. “Don’t smell them, either.”

I remember taking a sweet breath, feeling the wetness in the air and the aged-wood and butterscotch of pine. Relishing in the thought: the dead aren’t here.

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Scifi

Fiction — “Once there was an empty classroom”

During the day, the door remains unlocked—the lights flicked on by a sleepy department head and flicked off by a custodian whose back vac makes her a ghostbuster.

A general lack of students keeps the air icy and free of the muck-must of human bodies, a scent corrupted by cheetos and the cheese of feet, although the room occasionally feeds on students looking for a place to study, romantic couples with forged hall passes, and, once, a red-nosed assistant principal who napped by the cabinets.

Some grease and wet spray still lies on the carpet.

Since classrooms have no natural predator, the room sits, and sits, like a forgotten box of baking soda in the fridge. Its stomach grew between Science classes and a weedwork of wires and pink-feather insulation. Feeding on rats.

Now the stomach sits, hungry.

There was a man once. The first pang of its profession came with the appearance of a bearded teacher. Shaggy, shortsighted as a bear with spectacles, the creature lumbered through the door and fell on the desk.

The room waited, hoping the teacher would attract others.

But the teach hid there, received his paycheck, watched for enemies at the door, put up posters that read, “You never fail until you stop trying,” and “It’s okay to not know but it’s not okay to not try.” Perhaps he operated under that mantra of bibles and baseball movies—if you build it, they will come.

No one came. The room ate the man, absorbed his funky odors. And life returned to the humdrum of air-conditioned lungs.

Satire, Scifi

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Life, Scifi, Writing (Published)

Published — “Pink Pastures”

365 Tomorrow has published my speculative flash fiction “Pink Pastures.” The story was based on a dream, and since I can’t afford a therapist on a teacher’s salary, I resorted to a poor substitute (something I also know about, being a teacher). Ursula Le Guin’s “The Ones Who Walk Away From Omelas” influenced the setting, plus I really wanted to write about eldritch genitalia without using the word “vagina.” You’ll notice the comments aren’t forgiving; in my defense, my “purple prose” could have been intentional on a meta-level. (It’s not). 365 Tomorrows is an online journal that produces a new speculative fiction every single flipping day. The site would be a great complement to your morning bagel and cup of raktajino.

Scifi

Zombie Fiction — “Living Things Pet Shop”

Copper is the most antsy, selfish, stupid dog. She yips when you’re not paying attention, she flops on the floor and pushes your feet, belly jittering like jello, eyes pleading. Or she sneaks by your toes to beg, and if you pet her she pees.

If I put my hands on her head and push down to her rump, she pumps out a puddle.

Copper sleeps in the back office with the door locked and a gun on the desk. Where I sleep. I don’t trust the other dogs. They’re dreamers. But Copper sleeps lightly, and has a good ear, and will nose me awake when they are nearby.

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Scifi

Fiction — “Vacay in The Vart”

Passengers puked. Passengers turned purple and took tranq pills. Passengers lined up for soma shakes (somalts the posters boasted) and stomach transplants. Nothing worked.

Many had just arrived by drop pod or iPort (if they had the digi juice) or materialization (if they preferred comfort over the continuity of consciousness and disturbing schools of philosophy). No matter the method, the silent slip of space had not acclimated them to the icy sea world called The Vart – an eternal snowcean where the hoarfrost could split open a cutter, where rolling waves whirred like bonesaws.

And so they emptied their temporary bits and even some more permanent ones and they stumbled about the cabins like cats chasing roombas. But no matter how fraught they became, the passengers did not forget their purpose. They were here to see the kraken – the first and soon to be last alien species in all six galaxies. They’d come to see its milky skein, its eight eyes like terran teeth always falling out and regrowing. To see the outline of its beak, not fully present in the visible dimensions. To survey its coat, said to reek of vinegar, and to touch its pastel flesh when the bluesuits weren’t looking.

The passengers had been brought by that vestige of humanity that still remained in their cyboreal demi-plastic casings (organic epidermises were so 2060). They were brought by that little part in all of us that wants to experience an experience so as to brag about it later – that part that sends a picture of a rabbit by the roadside to a friend, seeing the thing through lens and screens and photo editors.

Scifi

Fiction — “Necronomi Con”

A warehouse that could be the love child between a dumpster and a medieval castle. Coming from inside, groansMoans. A few shrieks cut off by the violent slapping of struggle, and then the wet patter of teeth on flesh. In the air an odor like rotten onions and shit and that unappetizing yeasty smell that accompanies unwashed bodies.

Welcome to Necronomi Con.

Booths. Endless booths, configured like holding cells in a prison. Each booth – a few posters depicting the wares of the artist, a stack of comics or a pile of plush things, and the artist itself, chained by the neck to a post, slobbering and scratching and gibbering horridly. Fans loiter, maybe to see how close they can get, maybe to ask for commissions (the zombies mostly vomit disturbing things, but sometimes they can be coerced to draw a portrait), maybe to get a scab or two flicked onto their special edition issue. In some places, the fans let the artists chew on them awhile as sort of ritual, sort of bragging right, sort of showcase of respect.

A few nibbles. That was what Alesya was slobbering for. She’d started her webcomic Radio Sex mostly for the bites, for the giblets, and maybe those penitent few who’d volunteer a limb. Unfortunately, five years on this lame series and she’d only gotten a few wrists, a pair of eyes, maybe an ear or two. Now she’d begun to brood and still, eyes alive but body stiff as the corpse it should be.

“I really like this.”

Alesya’s head snapped up. A fan!

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