A warehouse that could be the love child between a dumpster and a medieval castle. Coming from inside, groans. Moans. A few shrieks cut off by the violent slapping of struggle, and then the wet patter of teeth on flesh. In the air an odor like rotten onions and shit and that unappetizing yeasty smell that accompanies unwashed bodies.
Welcome to Necronomi Con.
Booths. Endless booths, configured like holding cells in a prison. Each booth – a few posters depicting the wares of the artist, a stack of comics or a pile of plush things, and the artist itself, chained by the neck to a post, slobbering and scratching and gibbering horridly. Fans loiter, maybe to see how close they can get, maybe to ask for commissions (the zombies mostly vomit disturbing things, but sometimes they can be coerced to draw a portrait), maybe to get a scab or two flicked onto their special edition issue. In some places, the fans let the artists chew on them awhile as sort of ritual, sort of bragging right, sort of showcase of respect.
A few nibbles. That was what Alesya was slobbering for. She’d started her webcomic Radio Sex mostly for the bites, for the giblets, and maybe those penitent few who’d volunteer a limb. Unfortunately, five years on this lame series and she’d only gotten a few wrists, a pair of eyes, maybe an ear or two. Now she’d begun to brood and still, eyes alive but body stiff as the corpse it should be.
“I really like this.”
Alesya’s head snapped up. A fan!
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