Tag: Magazine

To Be Published — “Water Bees”

Flame Tree Publishing is including my gothic horror story “Water Bees” in their upcoming print anthology Detective Thrillers. The anthology of murder mysteries combines classic and contemporary writers, so my work will feature alongside G.K. Chesterton and Arthur Conan Doyle.

“Water Bees” follows an elderly police inspector named Henri Monreau as he hunts through Arles, France, in search of a missing entomologist. (In case the city sounds familiar, it’s where Vincent Van Gogh painted some of his most famous works and then went mad). What makes this story unique, and a tad above the typical detective mystery, is the world concept—Henri lives in an alternate universe where there are only bugs and humans. No squirrels, deer, fish, birds, just ants, beetles, spiders, and people, who are theorized to be an advanced form of worm.

Flame Tree Press is a London-based publishing company that’s generally interested in science fiction, fantasy, horror and crime fiction, but also dabbles in artisan notebooks, illustrated calendars, cards, jigsaw puzzles, and other gift-friendly forms. Founded in 1992, the press’s self-described purpose, to quote Pablo Picasso, is to wash “the dust of daily life off our souls.”

Published — “Birdu Vanilla”

365 Tomorrow published my scifi microfiction “Birdu Vanilla.” The story is a reflection on senseless gaming but don’t confuse me for a ‘video games make you hurt people’ right-winger ignoring the rightful causes of gun violence. I’m more of a flightless bird who’s too fat to fly. You’ll notice the comments are more forgiving than my last piece on 365.

Justifiably so.

365 Tomorrows is an online journal that publishes speculative fiction every single fething day. The site is an excellent complement to your morning bowl of cereal and glass of Moloko Plus.

Published — “Garden of Forking Palms”

My absurdist flash fiction Garden of Forking Palms was included in the Spring/Summer 2019 issue of Mojave River Review. My title plays with Jorge Luis Borges’s “The Garden of Forking Paths,” but roads diverge from there. The story is about a man who wakes up to find a garden on his hand. And then he has to go to work.

I wanted to explore our universal experience of not-quite-fitting-in, of having something weird or silly to preoccupy our social discomfort. My argument is that weirdness, silliness, those things that fluster, they might actually be our most beautiful or interesting attributes. Dave doesn’t make the right decision in the end, but he might someday with time and maturity and that steady growth of self-knowledge.

Mojave River Media is a busy publishing center with books, anthologies, and review magazines. This includes Mojave River Review, a prose and poetry anthology produced biseasonally.

Assistant Editor at Coffin Bell

Very excited to announce that I am now Assistant Editor of Coffin Bell, a quarterly online journal (they also have an annual print issue) that publishes “waking nightmares, dark CNF, dystopian flash, cursed verse.”

I hope to bring my decade of experience in literary circles, workshops, and critique groups (as well as my undergraduate degree in creative writing) to the operating table and get my hands slick with organ rot. I mean weird fiction.

The magazine wanted a headshot so I sent them this:

That’s me, by the way.

Published — “Black Bear on White Paper”

Literally Stories published my fantasy story, “Black Bear on White Paper.” The story takes place in a realm I’ve envisioned for some time: a forest world founded on an endless, underground library. Unexplained, and mostly unexplored, the library is attended by a small cabal of librarian-monks. The concept combines Borges’s “The Library of Babel,” Tolkien’s Mines of Moria, and the medieval monastery.

Literally Stories was started in 2014 by a wiggle of writers, including a bloke named Adam West (no, not that one). The magazine not only provides a platform for prose and poetry, but encourages reader feedback and author interaction. There’s even a comments section labeled “Your Thoughts” for criticism of the magazine itself. The hope is to give “each story its moment in the sun.” Naturally, this might provide a healthy tan; for others, a nasty burn.

Rune Bear Deviant

I’ve been photoshopping advertisements for Rune Bear‘s weekly posts. In each image I tried to capture some element of the companion piece while not making a picture that sucks terribly. Some have been not-so-great, as to be expected, but these three below were somewhat successful.

The first is a rune bear mounted on the wall for Amanda Bender’s “The Hero and the Hunter.” Her piece is part one of an emerging storyline (we’ll be posting Part II at a later date). Basically, a failing zoo has to turn to a big game hunter who pursues exotic beasts. But since Rune Bear Weekly features pieces that are under three hundred words, I’ll have to be careful summarizing anything, since the synopsis might end up longer than the story.

Look at those pain-sullied eyes. Look at ’em.

The second image is of a bear spying on himself in a sword blade. This was created for T. J. Locustwood’s “The Recruitment of Steel.” The piece is a cantos that pairs with his upcoming book, Alexander Croft and the Corvian Wrath.

Finally, for Joe Amaral’s “We are Seeds,” about a village destroyed and its sole vengeful survivor (a little girl with druidic magic),  I shopped a rune bear casting a leafy magical curse.

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