Tag: Post-Apocalypse

Evelyn

“I have a feeling,” she whispered to a decapitated paratrooper enthroned in his chute, “that you were like an upside down map.”

“And you weren’t made of sticks,” she told his member, which was suffering some pretty normal rigor mortis. She cocked her head as if judging the time from the sun, but you couldn’t see the sun right now. It was blocked.

She judged for a mo, checked her watch, then clamored up a B-52 stratofortress lying in a tilt. Evelyn climbed the wing casually, ignoring the billows smoking from heaters, engines, dead bodies. She danced over a guttural rotor blade slowly winding itself to a premature death, then looked at a man split in thirds.

We could have been, she fluttered. One happy swell before the wave.

Published — “Two Wings Flightless”

Kasma Magazine published my science-fiction short, “Two Wings, Flightless,” about a man who has to destroy a hovership that’s been solar-beaming the countryside. Kasma is a speculative magazine that publishes a story every first day of the month. Each piece is accompanied by a beautiful bit of art by Jose Baetas. You can see his treatment for my story above.

In “Two Wings,” I wanted to replicate the hero goes to a cave to slay a dragon story in a post-apocalyptic setting, switching the fire-breather for a flying war machine. The result was really fun to write, especially since the narrator was so dour and grit-happy. I’m already planning a sequel.

Published — “Good Fulch”

Good Fulch” is a story I’ve had in my head since high school. The premise is this. A society of robots have to decide if they should let a human live. The original draft was more human-focused; Charlton Heston shaking his fist at those “damn dirty CPUs.” But on a whim I switched the POV to the metal-heads themselves: glorious, dirty, regal, logical minds falling back on the xenophobia that once infected their creators.

The piece’s publication is Ripples in Space, a seasonal magazine devoted to “all things Sci-Fi, Dystopian, AI, [and] Space Marine.” It was the Space Marine mention that intrigued me, being an advocate for both Warhammer 40,000 and the works of Robert Heinlein.

“Good Fulch” features in this year’s Fall Selection.